|
George Andrew Romero
| Birthday: |
February 4, 1940 |
| Birthplace: |
New York City, NY |
| Interesting Fact: |
Often features radio or television news broadcasts playing in the background. |
Get the Flash Player to see this player.
He was born in New York City of half Cuban descent. Romero attended Pittsburgh's Carnegie Mellon University. After he dropped out of the university, he began his career shooting short films and commercials. One of his early commercial films, a segment for Mr. Roger's Neighborhood, in which Mr. Rogers underwent a tonsillectomy, inspired Romero to go into the horror film business. He and friends formed Image Ten Productions in the late 1960s, and they chipped in roughly $10,000 apiece to produce what became one of the most celebrated horror films of all time: Night of the Living Dead. The movie, directed by Romero and co-written with John A. Russo, became a cult classic in the 1970s. Romero updated his original screenplay and executive produced the remake of Night of the Living Dead directed by Tom Savini for Columbia / Tristar in 1990.
 |
Romero's films during the nine years after 1968's Night of the Living Dead were less popular: There's Always Vanilla, Jack's Wife / Season of the Witch 1972 and The Crazies. Though not as acclaimed as Night of the Living Dead or some of his later work, these films have his signature social commentary while dealing with primarily horror-related issues at the microscopic level. The Crazies, dealing with a bio spill that induces madness, and the critically acclaimed art house success Martin, a film that strikingly deconstructs the vampire myth, were the two standout efforts during this period. Like almost all of his films, they were shot in or around Romero's favorite city of Pittsburgh.
In1978, Romero returned to the zombie genre with Dawn of the Dead. Shot on a budget of just $500,000 (the producers gave a false figure of $1.5 million to help their negotiating position with distributors), the film earned over $55 million worldwide and was named one of the top cult films by Entertainment Weekly in 2003. Romero made a third entry in his "Dead Series" with Day of the Dead, which was less popular at the box office, but has since gone on gain a cult following thanks to VHS and DVD releases.
During this period, Romero also made Knightriders, another festival favorite about a group of modern-day jousters who reenact tournaments on motorcycles, and the successful Creepshow, written by Stephen King, an anthology of tongue-in-cheek tales modeled after 1950s horror comics.
Throughout the latter half of the 1980s and 90s, Romero made various films, including Monkey Shines about a killer monkey, Two Evil Eyes, an Edgar Allan Poe adaptation in collaboration with Dario Argento, the Stephen King adaptation The Dark Half and Bruiser, about a man whose face becomes a blank mask.
Romero had a cameo appearance in Jonathan Demme's Academy Award-winning The Silence of the Lambs in 1991 as one of Hannibal Lecter's jailers.
In 1998, Romero returned to the horror scene, this time in the form of a commercial. He directed the live action commercial shot (promoting the video game Resident Evil 2) which was shot in Tokyo, Japan. The 30 second advertisement was live action and featured the game's two main characters, Leon S. Kennedy and Claire Redfield, fighting a horde of zombies while in Raccoon City's Police Station. The project was a natural for Romero, as the Resident Evil series has been heavily influenced by Romero's "Dead" series. The commercial was rather popular and was released in the weeks before the game's actual release, although a contract dispute prevented the commercial from being shown outside Japan. Capcom was so impressed with Romero's work, it was strongly indicated that Romero would direct the first Resident Evil film. He initially declined, stating in an interview, "I don't wanna make another film with zombies in it, and I couldn't make a movie based on something that ain't mine", although in later years he reconsidered and wrote a script for the first movie. While many were impressed with the script (which garnered positive reviews), it was eventually rejected in favor of Paul W.S. Anderson's treatment.
 |
Universal Studios produced and released a remake of Dawn of the Dead in 2004, with which Romero was not involved (though he expressed admiration for the Zack Snyder film in a graphic novel adaptation of the remake). Later that year, Romero kicked off the DC Comics title Toe Tags with a six-issue miniseries titled The Death of Death. Based on an unused script that Romero had previously written as a sequel to his "Dead Trilogy", the comic miniseries concerns Damien, an intelligent zombie who remembers his former life, struggling to find his identity as he battles armies of both the living and the dead. Typical of a Romero zombie tale, the miniseries includes ample supply of both gore and social commentary (dealing particularly here with corporate greed and terrorism - ideas he would also explore in his next film in the series, Land of the Dead). Romero has stated that the miniseries is set in the same kind of world as his "Dead" films, but featured other locales besides Pittsburgh, where the majority of his films take place.
Romero, who still lives in Pittsburgh, completed a fourth "Dead" movie, Land of the Dead (formerly known as Dead Reckoning), in Toronto, Ontario, with a $16 million production budget (the highest of the four 'dead' movies).Actors Dennis Hopper, Asia Argento and John Leguizamo star in the film. It was released on June 24, 2005 to generally positive reviews.
Some critics have seen social commentary in much of Romero's work. They view Night of the Living Dead as a film made in reaction to the turbulent 1960s, Dawn of the Dead as a satire on consumerism, Day of the Dead as a study of the conflict between science and the military, and Land of the Dead as an examination of class conflict.
Romero is married to Christine Forrest, whom he met on the set of Season of the Witch. They have two children together.
Horror Filmography
| The Crazies |
Writer |
2008 |
| Dead On: The Life and Cinema of George A. Romero |
Actor |
2008 |
| Day of the Dead |
Writer |
2007 |
| Diary of the Dead |
Writer, Director |
2007 |
| Diamond Dead |
Writer, Director |
2007 |
| From a Buick 8 |
Director |
2007 |
| Son of Horror Business |
Actor |
2007 |
| Night of the Living Dead 3D |
Writer |
2006 |
| Creepshow III |
Writer |
2006 |
| Land of the Dead |
Writer, Director, Actor |
2005 |
| Dawn of the Dead |
Writer |
2005 |
| The Ill |
Writer (screenplay), Director |
2004 |
| Zombiegeddon |
Inspiration |
2003 |
| Bruiser |
Writer, Director |
2000 |
| Dark Half, The |
Writer, Director, Exec Producer |
1993 |
| The Silence of the Lambs |
Actor |
1991 |
| Night of the Living Dead |
Writer, (screenplay) Exec Producer |
1990 |
| Tales from the Darkside: The Movie (segment "cat from Hell") |
Writer (screenplay) |
1990 |
| Due occhi diabolici |
Writer, Director |
1990 |
| Monkey Shines |
Writer (screenplay) Director |
1988 |
| Day of the Dead |
Writer |
1985 |
| Creepshow 2 |
Director, Editor |
1982 |
| Dawn of the Dead |
Writer, Actor, Director, Editor, Composer, (2004 screenplay) |
1978/
2004 |
| Martin |
Actor, Writer, Director, Editor |
1977 |
| Hungry Wives |
Writer, Director, Editor, Cinematographer |
1973 |
| Crazies, The |
Actor, Writer, Director, Editor |
1973 |
| Night of the Living Dead |
Actor, Writer, Director, Editor, Cinematographer |
1968 |
Trivia
Education: Carnegie-Mellon Institute (art, theater,
design)
Prior to Night of the Living Dead (1968), he was
better known as an industrial film-maker, who created TV commercials,
promotional featurettes and industrial training films.
Was originally slated to write and direct Resident
Evil (2002)
Was slated to direct a theatrical version of Stephen
King's novel "The Stand", adapted for the screen by
Rospo Pallenberg. The film never materialized. Instead, the
novel was adapted into a TV mini-series.
Click the image to go to George
A. Romero's Official site.
“My opinion of a good zombie walk is to loll your head as if it's a little too heavy and the muscles have begun to atrophy.”
~George A. Romero
|